#it's 3am and this is making me lose it

[maythedreadwolftakeyou]

thinking about Lucanis again (always). and how so much of his narrative boils down to the theme of "control". and of course also about how this applies to the Rook x Lucanis relationship.

like the first scenes with him in the game are, in theory, about freeing him from the Ossuary (although he seems to have an escape attempt already in progress at the time, they certainly weren't just letting him keep those knives on him for enrichment purposes, Rook just provided an opening/distraction he could take advantage of and crucially Rook has A Way Out of the whole place not just a cell). but ACTUALLY the purpose it to put him right into a new contract for Us, one set up by his own grandmother and first talon no less, and the person he has the MOST trouble saying no to. He's escaped torture and the Venatori for sure but he still isn't free, which I think is part of what leads to Spite's confusion/the Inner Demons plotline. He agrees to the contract but you can tell it's in many parts out of a sense of duty/mourning vs something he actively wants to do for himself. And then the FIRST real heartfelt conversation you have with him, where he tells you "even before I was captured, my life was not really my own. So much had been determined for me." But he's chaffaing at that! He thinks "to live truly is to live fully" and so directly tells you he doesn't think he's lived a life true to himself. He's been constantly smothered by the weight of expectations around him, even though he longs for more.

And then once you get him to the Lighthouse you see how this Big lack of control in his life comes out as all these smaller frustrations. He's terrified of sleeping and downing 11 cups of coffee per hour because sleeping means he will lose control to Spite, even though Spite is shown to flee rather than fight when he feels threatened, and once calmed down, is more drawn to just benign curiosity/mischief than anything actively malicious. Like if Lucanis loses control and sleeps for a few hours he is not going to wake up surrounded by bloodshed, he's going to wake up to a belly full of candle wax because he wouldn't like Spite taste one while they were awake. Which is the other half of this--he constantly denying Spite's impulses for reasons that in some ways make sense (HE doesn't want to eat candles), but not in a way that's actually satisfying to either of them (why not just take a bite, chew for a bit, and spit it out so Spite knows they kind of suck actually?). But he CAN say no to Spite and so he does. Over and over. Spite's one of the few people he can deny things without feeling bad about it, because it's HIS body he doesn't like that has to share now (<- this is what he thinks about it at first anyway, but he's wrong, it's both of theirs and it's useless to try to hold those kind of boundaries forever. but the "no its mine" spiteful instinct is very beautifully ironic and reflective of them both and their early relationship).

And personally I think this is where his fear of his own desires and intimacy is coming from, at the root. I don't think he's afraid of the concept of being in a romance or having feelings (even if they're unusual and rare for him, this is by no means incompatible with him being demi) but I DO think he is afraid of the kind of power it gives people over you. Getting something you want means there's something else that can be taken away. Admitting your desire means the other person has the opportunity to deny that. The more you have, the more you have to lose, and he has lost again and again and again in his life--his parents, his childhood to the crows, his independence, even his future--he doesn't aspire to be first Talon but he knows the rumors. He knows his grandmother wanted it for him, not Illario. His life path has been laid out for him by others and up to this point he has simply been going along with it anyway, even though it bothers him. He COULD argue and fight Caterina and push for Illario who actually wants the job to be First Talon instead, but from The Wigmaker Job we know he doesn't. He just ignores it and pretends maybe it won't happen, without him having to do any of the work. Which is why in the end Illario is the one who has to make a move about it (and even warns Lucanis of this!!!!). Lucanis KNOWS all this makes him a target but is neither taking charge or getting off of the train tracks, just closes his eyes.

And I think THIS context is what makes the almost kiss scene in the pantry make more sense to me. Rather than being afraid of having feelings (and then NEVER addressing this in game with a Rook who pursues him anyway) or not knowing how to finish what he's started via crow seduction training, it's more like this is a pivotal moment where he can actively choose to step off the planned path of be given a job -> kill the gods -> enact revenge -> go home. even if he doesn't at that point realize that a relationship with Rook could be something that lasts long-term, the very act of doing something just for himself is what's foreign and scary and hard. It's that first step off the tracks, and even if he were to keep walking in the same direction, it means he's making a choice about it. he's accepting that one way or another it IS in his power to go along with everyone else's plans or not. Hence the hesitation, and drawing back, and needing to clear his head.

And then the rest of Rook's role in his narrative IS about giving him more and more control for himself. Inner Demons, dealing with Illario, his questlines move less towards revenge and more towards just... not being locked into one fate. Which of course Caterina comes back and immediately tries to overturn by declaring him First Talon after all, even though she and him and everyone else knows she's not ACTUALLY ready to give up her rule/decision making power yet. Which in a way is maddening because cmon I did all this work here so this sad man could have some agency in his own life just to watch him get sucked right back in (which, at least we get many directions to headcanon from here), but there's no denying that THIS version of Lucanis at least is actually going in with his eyes open now. THIS Lucanis has had a taste of life outside the Crows, and seen the politics and power dynamics in other places/organizations, and finally has emotional ties to the big picture state of the world now, both in relationship and friendship paths with Rook. He's not just hyper focused on each contract as it's given to him now, he's looking at the whole thing.

Anyway of course the beautiful culmination of all this within the romance is the lighthouse scene with Rook, where he finally is willing to let himself be vulnerable (emotionally and physically), and fall asleep without fear of what Spite's going to do in the meanwhile. He also (depending on dialogue choice) finally talks about his feelings directly with you for the first time instead of in roundabout ways (the dessert being "not enough" is it really the dessert you mean, Lucanis. is it.). Even though he is STILL reluctant to verbally admit his feelings or let Rook share their own at this point, I think that's more a narrative choice about saving those last emotional dialogue options for the big final battle. but it is another point where he does have to stop just following along and ACTIVELY choose that yes, yes sometimes loving is worth the risk of losing it. Even if someone takes it away from you later, even if you don't survive it, sometimes the love alone makes it worth it.

I have like another 5000 words I could add into about how Spite ties into all this, about how having the demon in him is something he both fears AND how it forces him to acknowledge that actually yes he DOES share the same base feelings/instincts Spite does in terms of not wanting to be told what to do. And how this in a way is part of what gives him permission to act on it since he can no longer just shove it down out of sight. but this post is long enough already so i'm just going to take the rest of this and gnaw on it all day like a chew toy I guess.

anyway. AHG. it is kind of frustrating that the culmination of his arc seems to be "and then he got the job he never wanted anyway" but I do think at least all this prepares him for it in a way Caterina actively failed to actually do on her own. He NEEDED that step away from his straightforward path. Whether he stays first talon or not, and with or without rook as a romantic partner, he's finally been able to explore ideas outside the expectations of others.

[poorly-drawn-mdzs]

No Homo. Just committed to the bit.

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[tj-crochets]

I have some good news and some less good news: Good news: I think I'm probably going to make the giant cuddly Toothless, I can probably get by Joanns tomorrow during the fleece sale and pick up some black fleece.

Less good news: I am probably not going to be able to finish the quilt today like I'd intended to, my electrolytes apparently got even more out of whack than my normal, because in addition to regular muscle cramps and spasms I got the smooth muscle cramps again! 0/10 do not recommend, they finally stopped but I am so sore (as my doc explained it to me a while ago, smooth muscles are the ones around your organs, and normally you can't feel them at all. If they cramp or spasm very badly, you can feel them and they hurt real bad because you are not used to feeling them. I am not a doctor that's just what he told me) Good news: Sonic is my go-to Maximum Sodium meal so I'm going to have Sonic for lunch and see if that fixes me lol

[kingofmyborrowedheart]

Give the people what they want Taylor!

[bluestjayy]

fck stop begging for comments on here all the damn time. i did like u as a writer but its getting so pathetic and annoying now jus begging constantly. Ur writing isn't that good for getting tonnes of comments anyway half the time Ur dragging plots and characters r so uninteresting probs coz Ur on here begging instead of writing properly. every update feels rushed lately it shows u don't even care anymore. just stop begging and focus on updating instead that's all pppl want

Hey anon, I normally don't respond to rude asks like these because I think what you want is the attention.

I especially don't usually respond to asks that have, in any way, anything to do with begging or demanding I update my fics (and I have seen an uptick in those in recent months) but I'm gonna respond to this one, and by proxy, all the others currently sitting unread in my inbox, and any future asks of this nature that may come my way.

Buckle in, this is a long one.

First, I'm going to assume by 'begging for comments' you mean the few posts I have been reblogging over the past couple of days that encourage readers on AO3 to engage with authors by leaving positive and thoughtful comments, and discouraging them from making unreasonable and impersonal demands. If this is the case then I would like to clarify that I am not 'begging for comments', rather I am supporting a community of writers like myself who are actual human beings who take several hours, days, even weeks, out of our very real lives in order to make something and share it with the world and for some reason are beginning to see a trend of entitlement slowly growing across our comment sections. A trend we wish to nip in the bud because, as I previously pointed out, fanfiction authors are real life human beings, taking time out of their days to make something, not machines on a factory line that churn out content at the behest of someone's demands. We want our fandoms and communities to be safe, supportive spaces where we can have fun. We don't want them to become workloads that begin to feel like full time jobs.

Secondly, to say my writing isn't all that good but in the same message tell me to update? Wild my guy. Truly. But let's keep breaking down AO3 comments/kudos/general feedback (such as this delightful ask you sent my way, I guess hoping it would make me want to update??) from readers and how this can affect an authors updates, this time using one of my favourite metaphors for this type of thing and see if it helps:

AO3 is a potluck. It's a backyard party. There is a veritable buffet at this party. My fic is the cake I baked myself to bring for all my friends to eat. One of my other friends brought potato salad. Another friend brought the punch. Everyone who is at this fun get-together brought something to offer at the buffet table.

Now, I might not like potato salad, but you know what I'm not going to do? Tell my friend to her face that her potato salad sucks and she never should have brought it. I'm going to politely pass on eating it, and be glad that all the people at the party who do like potato salad have something to eat. In the same vein, not everyone is going to like my cake, maybe the flavour is wrong, maybe I used too much icing, maybe they just don't like cake. But that's fine, they don't have to eat my cake. But if you choose to eat my cake, and find you don't like the flavour after taking a bite, then the polite thing to do is quietly stop eating the cake, and go and find something else to eat.

Do not seek me out and tell me to my face everything that was wrong with my cake, and why you don't enjoy it. Do not tell me to my face, that my cake sucks and you wish I'd never brought it.

Do you think telling someone that you hate the way they made a cake is a good and productive way to get them to keep making cakes for you? Or perhaps, is the way to keep an amateur baker wanting to bake, to tell them what you enjoyed about their cake. Even a simple, 'I really liked this cake' goes a long way.

And if you do like my cake, if you love my cake actually, do not then follow me home from the party and start demanding I make you cake all the time. I don't always have time to make cakes.

And just to cover all of my bases, because I am also seeing a trend of folk who think that sharing fanfiction online is the same as submitting manuscripts to publishers and that therefore criticism is allowed. It's not.

To continue to beat this cake metaphor. This is the difference between taking my cake to a party with friends (AO3) and taking my cake onto the Great British Bake off (A professional publishing environment).

If I wanted constructive criticism on my cake, I'd seek it out from expert bakers who know what they're talking about.

No one goes to a friend's party with a cake they made and wants to hear what they're doing wrong. Unless explicitly asked, keep your criticisms to yourself and put the cake down if you don't like it. It's so very easy to not eat a cake if you hate how it tastes.

Finally, a combination of both the points above, really, but I cannot stress this enough. These usernames you're sending anonymous asks to? The handles on AO3 you're writing comments for? They're people. They are human fucking beings that deserve respect and kindness. I am a human being. And sending what you sent up there to another person over fanfiction?? That's just mean, friend. That's just out and out cruelty. I have no other words to describe that.

I could give a flying fuck if you think I'm begging for comments. I could care less you wanna say my writing is terrible. At the end of the day, my writing is mine and I'm going to keep doing it because I find writing fun. It's a hobby that helps me de-stress from the horrors of my real life situations. Frankly, you should be begging me to stop because I have no plans to do anything but keep inflicting my drawn out plots and bad character writing on the world for as long as it keeps making me happy.

But I beg you to take a second off of social media today and think over what makes fandom- something that should be a hobby, a safe place to escape from the world- this serious for you. Because the kicker in all this? My friend, if you think what I post is annoying and my writing is bad, you can not see it. You can block me. You can click away from my stories. Your online space is yours to curate and no one, literally not a single person, is making you engage with things you don't want to engage with. Curate your space, fill it with people who aren't 'begging for comments', fill it with fics you think are really good and deserve to be told how good they are through wonderful comments. Please, I am begging you, because at the end of the day to live in such negativity must be so exhausting for you.

I've no idea if you, the original sender of this message will even read through all of this, but if you did, please, if not me, then any other fandom creators you come across going forward. Please treat them with kindness. Please respect that sometimes fandoms are spaces people hide in when their real lives are scary and frustrating and negative enough and all you do with messages like these is drive people away.

TL;DR: this is not the way you get more updates from fic authors, and further from that, it's not the way you treat anyone. Ever. Do better. Do much better.

[timothyslucy]

not to sound too horny but i want a chenford sex scene so bad.

[benechillax]

man i think i’m 5 seconds away from a mental breakdown

[antiadvil]

The real reason it's important for me to take my migraine medication as soon as I realize I'm going to need it is that otherwise I end up waiting until I'm in so much pain I can't think straight and I'm going to end up taking it anyway and it's not going to work as well and I'll ignore all of the safety instructions and just chomp down on pills at 5am on an empty stomach like mmm yummy stomach ulcers for breakfast

[tinrange]

Bostons dad assumes and says straight to Bostons face that he knows his son doesnt care about anything and is going to NYC as a backup plan for failure when Boston is actively searching for an education in photography in NYC and using everybody's preconceived notions of him as a shield. All that juxtaposed with Nick telling him he believes in his art completely knowing he might never see him again, as Nick achieves his dreams apart from his family business he makes sure Boston knows that possibility is out there for him too.

[lucalicatteart]

Poll adventure (paventure? lol) Day 4: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should offer the Well Creature some bread and soup ….

"Completely unsure how to even begin to interact with the strange creature from the well, The Adventurer recalls reading in a book once that 'food is a universal language', or uh.. something like that.. thus, some hearty soup and bread would surely bridge any communication barriers... probably. He serves the little cannister of broth cold, straight from his bag just dumped into a wooden bowl, mostly because he's far too nervous to try and start a fire with someone watching.. hopefully they won't mind the food not being warmed..

After gently placing a single bread roll next to the soup, he steps back, gesturing towards the meal with an uncertain smile. The creature pauses, sniffs around, then promptly disappears back into the darkness. Just as The Adventurer begins to sulk over his apparent rejection, something stirs behind him... With a rush of creaking and plopping noises, the creature resurfaces, revealing it's massive serpent-like body as it hoists itself over the crumbled stone of the well's edge with it's many arms. It cracks open it's mighty jaw just far enough for a tiny blue tongue to slither out, then politely slurps at the soup, delicate enough not to spill any.

Stumbling backwards in shock, The Adventurer simply sits there staring the entire time whilst the creature happily (and rather quickly) enjoys their meal... Seemingly appreciative of his kind offerings, another strange slinking arm creeps up from the depths of the well, daintily opening a velvet sack with it's claws and laying out a small assortment of items onto the grass. Still a bit shaken, but also never one to turn down a free gift, The Adventurer senses that the creature intends for him to take any single item of his choosing... but, which one?"

[deadrlngers]

no but thinking of violante's manic state following her murder of ruven and that sick game of association-replacement played by gortash where he acts just like ruven did, picks up some of his behaviours and mannerisms and speech patterns he specifically used with violante and that he knows of well bc he observed and studied them interact, so that he can fill up the now empty spot left by ruven's death.

[timetohealit]

.

[noa-ciharu]

If we cast aside all ruthless, selfish, manipulative etc. stuff for a moment, sometimes I think about how actually sad and lonely Seishirou's life is.

Yes, that man's.

He's innately afraid of very thing he craves the most subconsciously: feeling connected to someone. And I like how he was never able to leave that (schizoid) split because conflict is so primordial it can never be resolved: he's forever stuck in the loop of deep craving he's unconscious of (hence very reason he made the bet in the first place) and just as unconcious fear of negative emotions and feeling of being 'caged' by them as result of caring for someone/something (resulting in him adopting 'I can't feel emotions' attitude as extremely sophisticated defense mechanism). To someone with that splitting view of reality every emotion towards another person equivalents to vulnerability and danger; which translates into defencelessness and general negative affect (which was never differenced); mature ways of dealing with negative emotions were ever developed hence every negative emotion is felt in extremely primal, intense and disoriented ways. Of course he'd do anything to prevent evoking said emotions in the first place.

It's the void that cannot be filled, primal loneliness that no amount of hedonism (nicotine addiction, his sweet tooth, rich lifestyle, eye for beauty etc.) can satisfy. Perhaps deep down he was looking for the 'cure' to inner conflicts he consciously wasnt aware of. But at same time part of him that views emotions as vulnerability and connections as prisons kicks in and never actually allows him consider if Subaru meant something to him on conscious level. Because accepting that would be equivalent of (ego) death. Split between "deeply embedded need for connection" and "need for emotional self sufficiency" would collapse and he'd have no way of getting out of it. And pride won't allow him to crumble and admit 'defeat' to what little of humanity he has left.

In that way Seishirou representing metaphor for larger than life Tokyo that seduces you with its beauty and intrigue but is actually empty and uncaring at core - it fits him to the T. Because no matter comes to pass, he remains unchanged. Must remain at status quo because anything else would be beginning of his end. In this essay I will -

[francesderwent]

haven’t preordered Speak Now because I don’t trust Taylor after Midnights. what if there’s three or four different versions of this album??

[trashymichi]

this clip is so erenpilled

[sophieseals]

I was speaking with a friend about this prior to you’re losing me being released and I mentioned that it seemed when it came to Taylor’s relationship with Joe that Taylor was in her Supercut phase? In that whenever she would write about him she would write about the same situations repeatedly, which doesn’t really matter she still made bangers but songs from rep, lover, folklore and midnights commonly overlap. Like hits different is just an expansion of like a section of cruel summer, Cornelia street and the great war, she replays the same moments over and over again. It reminded me of Lorde when she said she wrote supercut at the end/ after her relationship and that she kept replaying the good moments constantly and would miss her partner, but it’s just a supercut of them falling in love it’s not the whole relationship and in truth it just wasn’t there anymore. I just would’ve thought that Taylor would have had more stories to tell than what happened when she first got together with Joe and it’s so much clearer now you’re losing me is out that there wasn’t anymore stories (bar probably invisible string and sweet nothing) because he never tried to keep her.